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Jeff Mills Presents Tomorrow Comes The Harvest
Triennale, Milan
[Live]
Dec 11, 2026
Tomorrow Comes The Harvest is a living musical concept built on exploration, improvisation, and the pursuit of elevated states of consciousness through rhythm and sound. More than a group, it is an evolving framework where intersecting traditions meet in spontaneous dialogue.
The project was originally initiated by Afrobeat pioneer Tony Allen and Detroit techno innovator Jeff Mills. Both artists, deeply rooted in musical traditions that transcend entertainment and move toward spiritual and collective elevation, joined forces with acclaimed keyboardist Jean-Phi Dary. Together, the trio toured internationally, developing a unique live language built entirely on improvisation and rhythmic conversation until Tony Allen’s passing in 2020. By then, the conceptual foundation of Tomorrow Comes The Harvest had been firmly established, resilient and ready to evolve.
In the years that followed, Mills continued to reconfigure the concept, inviting new musicians into the framework while preserving its core philosophy. Today, Tomorrow Comes The Harvest enters a new formation featuring Kader Hamza, a guitarist of Ivorian and Moroccan descent.
Kader Hamza brings a deep, grounded sensibility to the ensemble, blending jazz fluency with contemporary rhythmic awareness. His guitar work anchors the improvisational explorations while allowing harmonic and percussive elements to move freely around it.
Jeff Mills ft. Jean-Phi Dary & Kader Hamza
Soundwalk Collective & Patti Smith: Correspondences
Triennale, Milan
[On View]
Nov 26, 2026 – Mar 7, 2027
An ever-evolving multidisciplinary project, Correspondences emerged from the encounter between Soundwalk Collective and Patti Smith and is rooted in a shared ground within the acoustic field. It has grown through a decade of field recordings conducted worldwide and traverses a wealth of geographies and their natural environments, where the artists have uncovered sonic steps left by poets, filmmakers, revolutionaries, and the impact of climate change. Sound is the generative core of this project, which starts with Stephan Crasneanscki’s field recordings in the world’s remotest places, uncovering traces of past and current histories of the world we are living in. The field recordings are shared with Patti Smith, giving her new landscapes to channel her poetic vision. This dialogue results in the production of immersive audiovisual installation, combining sound video and words as well as graphic and other mixed-media works.
Triennale Milano and Fondation Cartier pour l'art contemporain
Global Antiquity
Fondazione Prada, Milan
[On View]
Nov 5, 2026 – May 1, 2027
“This exhibition offers a constellation of exemplary cases, each marked by its own form of cross-cultural interaction but all traceable to a single narrative: the polygonal network of trade and influence that spanned Eurasia, extending beyond its
borders and fostering mutual awareness and curiosity on a massive scale. From our atlas of microhistories, a macrohistory thus emerges in which pre-modern globality appears as a state of unstable equilibrium, yet open to countless possibilities.”
Salvatore Settis, Anna Anguissola, and Chiara Ballestrazzi, Curators
Louise Roe Gallery
Louise Roe Gallery, Copenhagen
[Spaces]
“The Gallery is an extension of my creative universe, where furniture, objects and architecture come together. I wanted to create a space where visitors can experience our collections in a more intimate and personal way, exploring the dialogue between materials, shapes and proportions.”
Louise Roe, Founder and Designer
Calder: François Premier
Hauser & Wirth Art Gallery, Paris
[On View]
Oct 19 – Dec 19, 2026
‘Calder: François Premier’ will introduce new generations of viewers to three extraordinary, multi-dimensional works: ‘Les Granettes’ (1953), a large-scale standing mobile exhibited for the first time in 72 years; ‘The Putney Mobile’ (1954), making its public European debut here seven decades after its creation; and ‘Guava’ (1955). These sculptural masterpieces will be complemented by an important body of ink and gouache paintings and other works executed by Calder between these seminal years of 1953 and 1954. Together, the works on view in ‘Calder: François Premier’ capture the amalgam of explosive imaginative energy and technical innovation that defined the career of one of the world’s most influential and enduringly contemporary artists.
Lefay Resort & Spa Lake Garda
Lefay Resort & Spa Lake Garda, Gargnano
[Spaces]
At Lefay Resort & SPA Lago di Garda, wellbeing extends beyond the treatment room, taking shape through a deeper relationship with oneself, the surrounding landscape and the rituals of everyday life. Founded on the belief that true luxury lies in the quality of this experience, Lefay brings together the principles of Classical Chinese Medicine and Western scientific research with an immersive connection to nature and a considered approach to nourishment. This philosophy finds expression in the Lefay SPA Method, which approaches wellbeing as an individual journey, and in the culinary vision of Michelin-starred Executive Chef Matteo Maenza at Gramen, where the Lefay Vital Gourmet concept translates into a cuisine rooted in seasonality, creativity and respect for ingredients. Together, these perspectives reveal an approach to hospitality in which wellbeing is not a prescribed formula, but a personal experience shaped by the interplay of science, nature, space and the pleasure of living well.
Luciano Fabro: Abitare lo spazio. Inhabiting Space
Contemporary Art Museum Pirelli HangarBicocca, Milan
[On View]
Oct 8, 2026 – Feb 2, 2027
"The exhibition at Pirelli HangarBicocca brings together around fifty of the artist's most significant sculptures and installations. It examines the artist’s conceptual and formal approach to space, exploring the ways it engages with the perception of those who inhabit it. Emphasis is placed on Fabro’s investigations into perception and spatial experience, initiated in the 1960s, tracing their development from his early experiments with mirroring surfaces through the following fifty years. This evolution culminated in increasingly complex architectural structures and spaces—often made of paper—which the artist referred to as "habitats": ideal environment, either autonomous/self- contained or integrated into existing spaces, conceived to house and activate his works.
The notion of habitat runs throughout Fabro’s practice from the 1960s onwards, although the artist only began using the term in the 1980s. For Fabro, a habitat combines materiality and artisanal elements with theoretical and philosophical depth. The concept draws on its dual etymological roots: the Latin verb habito, meaning to inhabit or to dwell, and the noun habitus, referring to outward appearance, bodily form, or clothing. Within this framework, the habitat becomes a space to be traversed and inhabited, as well as a device that shapes perception and fosters relationships. By bringing together sculpture, architecture, and painting, Fabro constructs pathways, perspectives, and architectural elements that reconfigure the perception of space."
Fiammetta Griccioli, Roberta Tenconi, Vicente Todolí and Silvia Fabro, Curators
Delcy Morelos: Ombligo
Museum Of Contemporary Art, Toronto
[On View]
Oct 4, 2026 – Feb 14, 2027
MOCA is unveiling a major site-specific commission by Delcy Morelos. Rooted in her relationship to the land in her native Colombia, Morelos’s practice reflects both the earth’s nourishing, regenerative strength, and the violence of dispossession. Raised in Tierralta by her grandmother, a descendant of the Emberá people, she draws on this heritage in works made from soil, clay, fabric, and plant fibers.
Tacita Dean and Bruce Nauman
Marian Goodman Gallery, Paris
[On View]
Oct 19 – Dec 19, 2026
Dean and Nauman met in February 2025, and their first conversation centered on drawing. Nauman was then working on a new series of drawings using gold- and silverpoint, which marked his return to drawing after a break of nearly twenty years. He was also beginning to film himself drawing using a 3D iPhone rig of his own invention, often drawing blind with his mind's eye and his memory to depict the still life in front of him. Both a mnemonic aid and an exercise in concentration, each drawing bears witness to the infallible link between the mind and the gesture, the image and its representation. As Nauman told Dean, “You can't go wrong when you are drawing with your eyes closed.” Dean had also recently begun using silverpoint on blackboard surfaces, and Nauman's blind drawing echoed her own interest in the importance of the unintended act in art and the blindness that her masking inside a 35mm camera invites.
Arthur Jafa: I Am Tony
New Museum, New York
[On View]
Sep 25, 2026 – Jan 4, 2027
"Highly charged and deeply affecting, Jafa’s work turns an unflinching eye toward the past while embodying and mirroring our contemporary obsession with masses of images or “content.” Through prolonged, thoughtful engagement with social media, internet culture, cinematic history, and popular music, the artist wields an arsenal of images across his various working mediums, communicating the complexities of contemporary Black life and how it is imagined, commodified, and consumed. Jafa’s work ultimately treats images as fugitive, virulent cultural agents with consequential relationships to real physical bodies both past and present."
Massimiliano Gioni, Director of the New Museum and Gary Carrion-Murayari, Senior Curator
Broken. The Power of the Fragment
Palazzo Strozzi, Florence
[On View]
Sep 25, 2026 – Jan 24, 2027
"What is a sculpture? What is a figure or body? And most importantly, one of the major through lines of the exhibition is: what is breakage?
In many cases, breakage is understood to be a form of damage. But in many of the rooms in the exhibition, we also explore how breakage is a form of generation, a form of creation. And the line between breaking and creating is not always as clear as one might originally think." Andrew Sears, Curator
CD Dickerson, Curator, Andrew Sears, Curator and Arturo Galansino, Palazzo Strozzi Director
DIMOREGALLERY
DIMOREGALLERY, Milan
[Spaces]
Opening September 2026
“For us, Dimoregallery is a place to explore how we want to live with design and art. Bringing pieces from different periods together creates unexpected dialogues and allows us to see familiar objects differently. The new fragrance we created for the space adds another layer to this experience, becoming part of its atmosphere and the memory visitors take away.”
Emiliano Salci and Britt Moran, Founders of DIMOREGALLERY
Silencio Berlin
Berlin
[Spaces]
Oct 30, 2026 – May 2027
“A club is a form that has to be reinvented, not preserved. Berlin has understood that longer than anyone and is where that form has been taken furthest.”
Arnaud Frisch, Founder of Silencio
DIALOGUES. Carol Rama and Rick Owens Furniture
Voena Gallery, Milan
[On View]
Sep 18 – Nov, 20, 2026
Carol Rama was born in Turin in 1918 and started painting in her late teens. Entirely self-taught, she began with the erotic watercolours of her Appassionata series, with its prostheses and unbound bodies; a style and subject so honest that her first exhibition, in Turin in 1945, was censored before it opened. In the decades that followed, Rama moved through abstraction into the bricolage works for which she is now most celebrated: assemblages of found objects, doll's eyes, taxidermy claws, syringes, and electrical wire. In these works, she refigured disparate objects into poignant compositions reflecting the core subjects and principles of her practice, the mind and body.
Marco Voena, Curator and Founder
Louis Fratino: Prose
David Zwirner Gallery, London
[On View]
Sep 18 – Oct 31, 2026
Thor Shannon, Senior Director at David Zwirner
Kerry James Marshall: The Histories
Musée d’Art Moderne de Paris
[On View]
Sep 18, 2026 – Jan 24, 2027
"There are several obvious reasons why Marshall is hailed as ‘one of our greatest contemporary history painters’. He has made large works addressing the Middle Passage and the legacies of the Civil Rights and Black Power movements; he has portrayed individuals such as Olaudah Equiano and Harriet Tubman; and he has created monumental scenes depicting contemporary Black life in barber shops, beauty parlours, parks and nightclubs, elevating the everyday to the epic just as Gustave Caillebotte or Georges Seurat did, to name two artists whose famous transformations of history painting can be seen near Marshall’s home in Chicago today.
Yet as an exhibition entitled ‘Kerry James Marshall: The Histories’ makes clear, to address ‘history’ with ‘painting’ requires more than the representation of moments or individuals from the past. I have organised the exhibition around eleven cycles of work, and in all of these, I would argue that the ‘histories’ at play are multiple and intertwining. Marshall thinks about the histories of painting’s conventions and genres. He considers the histories of materials that painters have used for centuries, such as egg tempera, and those they have not, such as glitter; the histories of perspective and flatness, of brushwork and gesture. Although he is most known for confronting the exclusion of Black subjects in the history of figurative painting and in modernist abstraction, in several projects he has looked back at the history of the inclusion of Black figures, and at earlier attempts to forge a Black aesthetic."
Mark Godfrey, Curator
Buccellati Caviar Bar
Palazzo Gavazzi, Milan
[Spaces]
Opening September 2026
"Maintaining a residential spirit was essential. The objective was to create an interior that felt welcoming and lived-in while preserving the architectural grandeur of Palazzo Gavazzi. The mirrors introduce light, movement and depth, while the materials, textiles and Murano glass bring warmth and intimacy."
Chahan Minassian, Designer
James Bantone: Skin Game
Francesca Minini Gallery, Milan
[On View]
Sep 17 – Oct 31, 2026
“Skin Game” marks a natural and more deliberate evolution in James Bantone’s ongoing exploration of the body as a vulnerable, unstable image. At the center of the exhibition, skin appears as a sensitive threshold—one that absorbs pressures, desires, and unconscious forms of deception. The new works—spanning sculpture, photography, image transfers, and material interventions—deepen Bantone’s exploration of surfaces and their instability, shifting the focus from artificial bodies to the ways images can be touched, worn, or wounded, and how they begin to operate like skin itself. Within “Skin Game,” the body becomes an image, and images behave like skin: seductive, fragile, and never entirely trustworthy. Moving through desire, intimacy, and unease, this new chapter opens onto a deeper examination of the image’s inherent fragility.
Eleonora Milani
The Roe Bar
The Roe Bar, Copenhagen
[Spaces]
“I wanted to create more than a store or just another cafe. The Roe Bar is about bringing people together and creating a moment to slow down. I believe design should not only be admired but also experienced and lived with. It's a place to sit, connect and enjoy the beauty of everyday rituals.”
Louise Roe, Founder and Designer
William Klein: Le mie città
M77 Gallery, Milan
[On View]
Sep 12 – Nov 14, 2026
“Throughout his long life as an artist, graphic designer, photographer, and filmmaker, I believe that more than anything else William Klein sought to do this: to capture the rhythm of the cities he found himself in and encapsulate it in those extraordinary, perpetually moving images that he created.”
Alessandra Mauro, Curator
Caravaggio and Berlinde De Bruyckere
Embassy of Italy, Berlin
[On View]
Sep 11 – Sep 25, 2026
"The Embassy is proud to partner with Offsite Arts in presenting this exhibition as part of our Berlin Art Week programme. Bringing Caravaggio and Berlinde De Bruyckere into dialogue reflects our commitment to fostering encounters between Italy’s artistic heritage and contemporary international art.” Ambassador Fabrizio Bucci, Ambassador of Italy to Germany
“Such encounters remind us that art, in its quiet force, remains one of humanity’s most eloquent expressions." Tjioe Meyer Hecken, Co-Founder Offsite Arts
Tjioe Meyer Hecken, Curator and Felipe Schwager, Curator
Ryuichi Sakamoto: seeing sound, hearing time
Hamburger Bahnhof, Berlin
[On View]
Sep 11 – Jun 20, 2027
"The exhibition seeing sound, hearing time at Hamburger Bahnhof is the first major retrospective of the Japanese composer and artist’s work to be shown in Europe. It features seven works in five sound spaces that were devised by Sakamoto in collaboration with media artist Shiro Takatani, artist and musician Carsten Nicolai, and filmmaker and artist Apichatpong Weerasethakul. The exhibition shows Sakamoto to be an artist who fused sounds, images, time, natural phenomena and technology, thereby blurring the boundaries between music and visual art.
The majority of the works on show at Hamburger Bahnhof were created in the final years of Sakamoto’s life. Shaped by his experience of illness, the confrontation with mortality and the effects of ecological crises, he developed an increasingly pared-back and condensed language of images and sounds. The resulting works encourage audiences to listen attentively – not just to music, but to the world around them."
Ingrid Buschmann, Curator at Hamburger Bahnhof – Nationalgalerie der Gegenwart
Deana Lawson
Gagosian, New York
[On View]
Sep 10 – Oct 24, 2026
A leading photo-based artist of her generation, Deana Lawson is renowned for images that explore how communities and individuals hold space within shifting terrains of social, capital, and ecological orders. Lawson projects her own contemporary Black experience onto an expanded view of human history and cosmologies. Her gaze is both local and global, focusing on Brooklyn, the Americas, and countries connected to the African diaspora.
Lawson debuts selections from Edge Control, a series initiated in 2023 in which she reimagines the monitoring of individuals by beauty supply stores throughout the United States. Recontextualizing surveillance stills taped to windows and entryways, she preserves the ways in which these images warp identity and posit a mode of figuration, intervening only to protect the identities of those pictured.
The title Edge Control derives from one of the stores’ most frequently stolen products: a gel used to smooth and lay down the baby hairs along women’s and girls’ hairlines, creating a sleek, polished look. The phrase refers to both the gel itself and to systems of control in the surveilled frame, extending to a broader culture of image-based policing. According to Lawson, “the aesthetic of surveillance imagery—deep-horizon blues and greens—opened my thoughts to an alien view of the supply chain, and its final landing point in the familiar beauty stores that I often frequent.” The pictures are framed with luminous black mirrors, underscoring both their reverence and their futurity. The work neither condemns nor valorizes alleged acts of petty theft, but instead foregrounds the implications of agency and transformative potential of beauty products within our late capitalist society.
Martin Margiela in Berlin
Konrad Fischer Galerie, Berlin
[On View]
Sep 10 – Dec 19, 2026
"Here, tactile and physical intervention humorously entwine with Margiela’s ongoing interest in the body, its relationship to the environments it inhabits, and the things it uses: where we sit, what we wear, what we read, what we watch, and what we touch."
Maurizio Cattelan: NIGHT
The Neue Nationalgalerie, Berlin
[On View]
Sep 10, 2026 – Mar 7, 2027
“A church is a beautiful invention because it gives shape to something invisible. The Neue Nationalgalerie already has something ritualistic: its scale, symmetry, silence and distance from everyday life. I imagined the space almost like a contemporary church: a central nave, side aisles and a sequence of presences.”
Maurizio Cattelan
Christian Boaro: YOUTH The Naked Truth
10 Corso Como, Milan
[On View]
Sep 8 – Sep 29, 2026
"Christian Boaro’s photographic practice lays bare a community through the intimacy of his encounters. Over more than a decade, his archive has become a portrait of identity in all its complexity: plural, fluid and constantly evolving. Through bodies of all kinds, Boaro searches for a form of beauty capable of embracing difference, allowing questions of identity, race and sexuality to emerge subtly, without ever becoming explicit or conclusive. Like the surface of a Polaroid, these images reveal a reality made of presences, imperfections and overlapping layers, where every individual contributes to the construction of a community without hierarchies."
Alessio de'Navasques, Curator
ECHO Listening Space & Bar
Rotterdam
[Spaces]
Opening September 2026
"At the centre of ECHO is music. Not as background, but as an experience. Vinyl, music curators, carefully selected records and a high-quality sound system create a space where people can take the time to listen. But music isn’t the only thing that is important. ECHO is about creating a complete experience around it - quality products, good coffee, drinks, food, design, atmosphere and, above all, people. The goal is to create a place that feels welcoming and open to everyone, whether you come specifically to listen to music, meet someone for coffee, discover a record, have a drink or simply spend some time in the space."
Paul Cournet, Khalil Ryahi and Jeff Hoogendijk, ECHO Founders
Wolfgang Tillmans: Glade / Clairière
Galerie Chantal Crousel, Paris
[On View]
Sep 5 – Oct 10, 2026
“The title Glade/Clairière gives a good sense of the exhibition. A glade is a place where light can pass through, a direct reference to photography and to Wolfgang Tillmans’s practice. His interest in the medium itself : the light, the paper, the materiality are the starting point for many of his reflections. The exhibition is infused with references to Paris, and Parisians have developed a real connection with his work since the Centre Pompidou a year ago. Many are curious to discover this new exhibition, which features several new works, including a large-scale sculptural installation and two videos.”
Caroline Viguier, Wolfgang Tillmans’s Artist Liaison
[On View]
Apr 29 – Sep 12, 2026
"Woodman does not stage commonplace things—whether “careless crockery,” florid wallpaper, or fish and lemons—as dream objects in themselves but as objects that spark the dream. She brings together random objects, animate and inanimate, in a peculiarly surrealist appreciation of how “two different bodies, rubbed one against the other, attain through that spark their supreme unity in fire,” to borrow words from André Breton. In his novel Nadja (1928), which Woodman loved, Breton applies this sense of the “rubbed” to people, places, and objects in order to explore the creative tension between the real and the imaginary. He writes, for example, of a woman’s blue glove as the personification of both the fulfillment and the loss of desire: It suggests not only the lady’s hand it could warm but “leaving that hand forever.” Breton’s seemingly random use of some forty-four photographs in Nadja inspired her, and her expressed ambition to create “images as an alternative to everyday life: Places for the viewer to dream in” echoes his aesthetic in the novel. Her eye sought out the unconscious in the conscious world—the essence of surreality. Through compositional approaches and techniques including long exposure and slow shutter speeds, she appreciated and extended how photography could stage “another nature that speaks to the camera [rather] than to the eye: other in the sense that a space informed by human consciousness gives way to a space informed by the unconscious,” as Walter Benjamin described the medium."
Alyce Mahon, Professor of Modern and Contemporary Art History at the University of Cambridge
Villa Fenicia
Ruvo di Puglia, Bari
[Spaces]
"Its history is not something we only preserve in documents. We have lived inside it.”
Federica Fenicia
Todd Hido: Atmospheric
Galeria Alta, Anyós
[On View]
Mar 18 – Aug 31, 2026
Living with Todd Hido’s photographs is a privilege.
“Atmospheric”, his solo exhibition at Alta, brings together more than three decades of work: nocturnal suburbs, charged interiors, empty roads, glowing windows, and weather-swept landscapes that have made Hido one of the defining voices in contemporary photography.
Installed in our gallery-home in the Andorran Pyrenees, 1,342 metres above sea level, the exhibition takes on an intimate and unexpected form. These photographs are not shown in a neutral white cube, but within lived-in rooms, where architecture, light, furniture, and the surrounding landscape become part of the experience.
Seen this way, Hido’s images shift throughout the day. They hold the silence of the house, gather with the changing light, and speak quietly of home, memory, desire, and the places that continue to haunt us.
Pancho Saula, Curator and Galeria Alta Founder
Hôtel Hana
Hôtel Hana, Paris
[Spaces]
"When I first discovered this project, I was immediately captivated by its location and by the story it was already telling. Hotel Hana is situated in a unique part of Paris, where two worlds naturally coexist: the elegance of the Belle Époque and the strong Japanese influence that has become part of the identity of the Rue Sainte-Anne neighborhood. This proximity between two cultures, two sensibilities, and two visions of beauty quickly became the starting point of our creative reflection.
I never wanted to create a Japanese hotel in Paris. Rather, my intention was to imagine a place where these two heritages could engage in a subtle and meaningful dialogue. I am always drawn to projects that tell a story without being overly explicit. For Hana, we sought to create an environment where both Japan and Paris could be felt intuitively—through materials, proportions, light, and atmosphere—rather than through literal references.
This project is probably one of the most minimalist I have ever designed. My work is often associated with a certain decorative richness, but here I wanted to explore a quieter form of sophistication while preserving the sensuality and warmth that are so important to me. The idea was to create a true jewel box: an intimate, welcoming, and precious place where every detail contributes to a larger emotional experience."
Laura Gonzalez, Interior Designer
Carsten Höller: Two
UCCA Center for Contemporary Art, Beijing
[On View]
Jul 14 – Jan 31st, 2027
UCCA Center for Contemporary Art presents “Carsten Höller: Two,” from July 14, 2026, to January 31, 2027. Featuring some of the artist’s most iconic works alongside a selection of new pieces, the exhibition unfolds as a “Laboratory of Doubt,” exploring themes of repetition, play, time, dreams, and collective experience. Through participatory installations and “influential environments” that challenge our understanding of reality, Höller invites visitors to embrace uncertainty and encounter the world, themselves, and others in unexpected ways.
Philip Tinari, UCCA Director and Jiashu Zou, UCCA Assistant Curator
Yvonne Rainer: Trio A
Tate Modern Turbine Hall, London
[Live]
Jul 10 – Jul 11 2026
Celebrating the 60th anniversary of Yvonne Rainer’s ground-breaking work Trio A, dancers perform the piece continuously in a staging devised for Tate Modern’s Turbine Hall. First performed in 1966, Trio A challenged traditional ideas of dance. Instead of focussing on plot or narrative, the dance is made up of a steady sequence of gestures, such as toe-tapping, folding or rolling. The dancers deliberately refuse to make eye contact with the audience.
Dancer, choreographer, filmmaker and writer Yvonne Rainer played a key role in revolutionising dance in the sixties and early seventies and has inspired many generations of contemporary performers.
The performance is standing, folding stools will be available for those that need them.
Villa Medici Accademia di Francia
Villa Medici Accademia di Francia, Rome
[Spaces]
With the Re-enchanting Villa Medici project, we have created dialogues between styles and eras. A decor tells a story, conveys a message about the spirit of a place. The spirit of Villa Medici is the stratification of these contemporary interventions that have become heritage. Before being places, institutions are spirits.
Sam Stourdzé, Director of the French Academy in Rome, Villa Medici
Tricky
Triennale, Milan
[Live]
Jul 9, 2026
Hiroshi Sugimoto: Extinction
The National Museum of Modern Art, Tokyo
[On View]
Jun 16 – Sep 13, 2026
This retrospective exhibition of Hiroshi Sugimoto is organized around the theme of “extinction,” under the title Extinction Photography. The theme emerged from the circumstances surrounding the decline of traditional analog silver-based photography with the advancement of digital technology, as well as from the fact that the artist’s career is now approaching its final chapter. The exhibition was initially conceived with the idea that, behind the recurring theme of “extinction” running throughout the exhibition, another perspective—the extinction of human civilization—would emerge intermittently. Ultimately, however, the exhibition has taken shape in a way that presents Sugimoto’s vision concerning the extinction of human civilization more explicitly.
Among the highlights are several new works. In Sugimoto’s Dioramas series, which is widely known as his debut body of work, a number of new pieces, including Pocot Tribe, have been added. Together, they present for the first time a story concerning human history that Sugimoto had secretly envisioned since the series began in 1975 and that has finally come to fruition more than half a century later. The perspective on human history presented here is connected, in various forms, to each of the series that follow.
As you trace the development of Sugimoto’s artistic world, we hope you will pay particular attention throughout the exhibition to the message concerning “extinction” that emerges from the accumulated achievements of his more than half a century of artistic practice.
Rei Masuda, Senior Curator at The National Museum of Modern Art, Tokyo
Miriam Cahn: What Looks at Me
MACRO, Museo d’Arte Contemporanea di Roma
[On View]
Jun 11 – Nov 15, 2026
Cristiana Perrella
Huang Rui: Unusual
Saint Laurent Rive Droite, Beijing
[On View]
Jun 11 – Jul 31, 2026
Born in 1952 in Beijing, Huang Rui lives and works between Paris and Beijing. As a founding member of The Stars (Xing Xing) art group, he is recognized as one of the pioneering figures of Chinese contemporary art. He is also acknowledged as the founder of the 798 Art Zone, Beijing's artistic neighborhood. Over several decades, Huang Rui has developed a multidisciplinary practice encompassing oil painting, sculpture, installation, and performance. His work focuses on abstraction, spatial perception, and the relationship between time, structure, and material. His trajectory reflects a sustained commitment to Chinese philosophical heritage and international artistic dialogue.
Fujiko Nakaya: Cloud #07156
Bourse de Commerce, Paris
[On View]
Jun 4 – Sept 14, 2026
"Always working from an existing context, the artist has created an exceptional encounter between fog and Tadao Ando’s Rotunda, indoors. Fujiko Nakaya does not represent fog, she sculpts it. This surprising material is a natural phenomenon that she produces with the aid of a complex system of high-pressure pumps and rows of pipes that emit micro droplets of water identical to those of fog. Natural in its composition and development, it is artificially produced by the artist. When she gave up painting in the mid-1960s, it was to engage several years later in a set of ambitious experiments: the production of fog on a grand scale, now in a different space than that of her studio. [...] The Rotunda of the Bourse de Commerce is a vertiginous space whose two upper levels are occupied by a panoramic, marouflage canvas, crowned with a dome. On the floor, in the centre, the concrete cylinder by Japanese architect Tadao Ando doubles the circularity of the building while remaining open to all possible points of view, both around or within the work. The fog, the main subject of the gaze, can therefore serve to block the view, even temporarily, acting as a kind of anti-panopticon capable of obscuring observation, permanently defying it through ephemeral and partial transparencies. The question is no longer that of the point of view —whether single or multiple— but that of visibility. From a first-floor balcony, a high-angle overview allows visitors to contemplate a sea of fog. Sculpting inside the museum also enables an inner journey [...]."
Anne-Marie Duguet, Historian of Arts and Medias
Pierre Huyghe
Fondation Beyeler, Riehen/Basel
[On View]
May 24 - Sep 13, 2026
"This exhibition emerged through an ongoing dialogue between Pierre Huyghe and the Fondation Beyeler, initiated by Sam Keller, director, and Theodora Vischer, chief curator. It was conceived specifically for the museum’s spaces. From the beginning, the intention was to develop a site-specific project bringing together new works produced for the occasion, recent films, and selected earlier pieces."
Mouna Mekouar, Curator at Large, Fondation Beyeler
Hujar: Contact
The Morgan Library & Museum, New York
[On View]
May 22 – Oct 25, 2026
Joel Smith, Richard L. Menschel Curator and Department Head of Photography
Werner Bischof: Point of View
Museo Diocesano Carlo Maria Martini, Milan
[On View]
May 19 – Oct 18, 2026
"Our father’s legacy demonstrates that only works created wholeheartedly truly have meaning. By bringing together ethics and aesthetics, my father, Werner Bischof, created a body of work of timeless significance that continues to inspire me time and time again. For this reason, I would like to thank the Museo Diocesano Carlo Maria Martini for allowing us to exhibit these photographs.”
Marco Bischof, Curator and Director of the Werner Bischof Estate
Helter Skelter: Arthur Jafa and Richard Prince
Fondazione Prada, Venice
[On View]
May 9 – Nov 23, 2026
"Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices. In his shift from making (having initially produced paintings in a Cubist mode) to taking (placing a commercially fabricated, inverted urinal in an exhibition framework), Duchamp modeled a kind of artistic piracy that constitutes the very DNA of Jafa’s and Prince’s discrete but tantalizingly analogous methodologies. They are both image scavengers. Seeking no prior permission, they dip into the overflowing reservoir of visual culture—from the swamps of social media to the annals of print journalism, from advertising’s hall of mirrors to Hollywood’s celluloid archive—to take whatever they want and convert it into art by choice alone. [...]
What comes into focus through the refracting lens of Jafa’s and Prince’s appropriation-based practices is an unflinching exposé on America. They are quintessentially American artists in subject and medium, literally enfolding objects and images from the empirical world into their works, subsuming them as readymades—Trojan horses, as it were, designed to disrupt established belief systems."
Nancy Spector, Curator
Shirin Neshat: Do U Dare!
Palazzo Marin, Venice
[On View]
May 8 – Sep 6, 2026
Ilaria Bernardi and Bartolomeo Pietromarchi, Curators
The Only True Protest is Beauty
Fondazione Dries Van Noten, Venice
[On View]
Apr 25 – Oct 4, 2026
“This Presentation is an invitation to look longer, to stay with uncertainty, and to recognize making as a deeply human act in which concept and craft converge, carrying both culture and the memory of the hands.” (Dries Van Noten and Patrick Vangheluwe, founders of Fondazione Dries Van Noten) Inspired by activist Phil Ochs, the title frames beauty as a catalyst for provocation and transformation. “Here, beauty is not a fixed ideal but a questioning presence – a process of inquiry where perception awakens and craft reveals itself as a radical act of encounter.” (Curated by Dries Van Noten with Geert Bruloot) It is not an escape from reality, but a way of engaging with it.” (Dries Van Noten and Patrick Vangheluwe, founders of Fondazione Dries Van Noten)
Dries Van Noten and Patrick Vangheluwe, Founders of Fondazione Dries Van Noten and Geert Bruloot, Curator
Palazzo Tafuri
Palazzo Tafuri, Nardò
[Spaces]
“Spaces should not feel staged or transient. Instead, the spatial experience should reveal the soul within.”
Claudio Colaci, Architect and Vincent de Cat, Project Lead and Interior Designer commissioned by Count & Countess Antoine and Ghislaine d’Espous.
Brancusi
Neue Nationalgalerie, Berlin
[On View]
Mar 20 – Aug 9, 2026
The Brancusi exhibition, realized in close collaboration with the Centre Pompidou, is the first major exhibition of the Romanian-French sculptor in Germany in more than 50 years. Showing the work of Constantin Brancusi in the Neue Nationalgalerie by Mies van der Rohe is the perfect match. For both the sculptor and the architect, the concentration on the essential form is a defining characteristic of their art, which, for me, unfolds in the exhibition in an ideal way.”
Maike Steinkamp, Curator
Mark Rothko
Palazzo Strozzi, Florence
[On View]
Mar 14 – Jul 26, 2026
"My father wanted his viewer to have the same religious experience seeing his paintings that he had when making them. Nebulous, mysterious, incongruous (some would argue murky, turbid, empty) they challenge us to make sense of what we see, perhaps through the rather indirect avenue of what we feel.Ultimately, I believe that my father simply wanted to paint. Not document his thoughts, not write down formulas, not catalog techniques, and certainly not waste his time with small talk, spoken or written. He spoke to the world largely through his art."
Christopher Rothko
Gordon Parks: We Shall Not Be Moved
Alison Jacques Gallery, London
[On View]
Mar 5 – Apr 11, 2026
“This exhibit is history, education and protest. The art of Gordon Parks makes clear that in this moment we can not turn back, we cannot remain silent and we can not retreat from advancing true justice.”
Bryan Stevenson, Social justice lawyer and Equal Justice Initiative founder
Tracey Emin: A Second Life
Tate Modern, London
[On View]
Feb 27 – Aug 31, 2026
"I’m very excited about having a show at Tate Modern. For me, it’s one of the greatest international contemporary art museums in the world and it’s here in London. I feel this show, titled ‘A second Life’, will be a bench mark for me. A moment in my life when I look back and go forward. A true celebration of living."
Dame Tracey Emin
Anselm Kiefer: Le Alchimiste
Palazzo Reale, Milan
[On View]
Feb 7 – Sep 27, 2026
“Kiefer’s entire oeuvre unfolds as a profound meditation on the human condition, its founding myths, on power and ideologies, on time,” notes Domenico Piraina, Director of Palazzo Reale. Curator Gabriella Belli extends the thought through the language of vision: “Kiefer’s work, after all, like a line of poetry, is able to be equally dazzling to the sight: in an instant it reveals desires, dreams, enchantments, but also violence, darkness, disillusionment.”
Domenico Piraina, Director of Palazzo Reale and Gabriella Belli, Curator
Daidō Moriyama, Retrospective
Foto Arsenal Wien, Vienna
[On View]
Jan 31 – May 10, 2026
"Based on three years of research, this exhibition gave me the opportunity to immerse myself in the work and thinking of Daido Moriyama. Beyond his extraordinary street photography, Moriyama was also a philosopher of media who explored his ideas through the democratic formats of books and magazines. He devoted his life to reflecting on the multiple realities created by photography and the camera, helping us understand how our lives are shaped, mediated, and influenced by this parallel world of people and places constructed through images. In an era marked by the rise of AI-generated content and fake news, his insights have become even more relevant."
Thyago Nogueira, Head of the Contemporary Photography Department at Instituto Moreira Salles, Brazil
David Lynch
Pace Gallery, Berlin
[On View]
Jan 29 – Mar 29, 2026
"Across paintings, films, photographs, and uncanny illuminated sculptures, Lynch builds a world of industrial beauty and subconscious unease, where fragmented narratives become sites of unexpected revelation. In the strange visual juxtapositions of this decaying urban landscape and others, Lynch found beauty.”
Robert Mapplethorpe: Le Forme del Desiderio
Palazzo Reale, Milan
[On View]
Jan 29 – May 17, 2026
“I’m looking for the unexpected. I’m looking for things I’ve never seen before.” (Robert Mapplethorpe) The exhibition unfolds through several thematic sections featuring over 200 works that trace the entire evolution of Mapplethorpe’s visual language, from his early experimental beginnings to his stylistic maturity. “His works still have a powerful impact, though deftly mitigated by the disarming, intrinsic perfection of his monochrome compositions. […] one of the purposes of this show is to celebrate the great US master while liberating him from the cliché confining his practice to a mere provocation. Robert Mapplethorpe is so much more than that. Thus, these photographs also contain the photographer’s desire to realize a dream of quiet balance, of a harmony close to what Michelangelo, Bernini, or Canova achieved in their work, softening the marble to the point that its eroticism nearly surpassed that of a human body.”
Denis Curti, Curator
Mona Hatoum: Over, Under and Between
Fondazione Prada, Milan
[On View]
Jan 29 – Nov 9, 2025
“We can no longer exist by trying to annihilate the ‘other.’”
Guy Brett, Art Critic and Curator
Pierre Huyghe: Liminals
LAS Art Foundation, Berlin
[On View]
Jan 23 – Mar 3, 2026
Set within the brutalist cavern of the Berghain power plant, the exhibition unfolds as a “film that expands into the site” through sound, light, and vibration. At its center is a nude, faceless female figure marked by a void where her head should be.
Ideas of Africa, Portraiture and Political Imagination
MoMA New York City
[On View]
Dec 14, 2025 – Jul 25, 2026
"As we continue to witness transformative shifts in the global geopolitical order, it is
instructive to revisit a moment in history that saw the disintegration of colonial territories
and the formation of transnational solidarity across the African continent and diaspora. This
exhibition locates dazzling modes of Pan-African possibility in images made by inventive
photographers who registered and beckoned in new worlds."
Oluremi C. Onabanjo, Curator of Photographs at The Metropolitan Museum of Art
Helmut Lang
MAK Vienna
[On View]
Dec 10, 2025 – May 3, 2026
The exhibition brings together works from different phases of Lang’s practice and situates them within a process-oriented framework that foregrounds experimentation, material transformation, and the persistent dialogue between fashion, art, architecture and media. "Rather than following a chronological narrative, the exhibition stages a constellation of objects and fragments that reveal the underlying logic of Lang’s mindset and artistic strategies. The exhibition therefore focuses on the tension between presence and absence, surface and structure, body and object." Marlies Wirth, Curator Digital Culture & Head of Design Collection
Marlies Wirth, Curator Digital Culture & Head of Design Collection
Son Xotano Hotel
Son Xotano Hotel, Mallorca
[Spaces]
Amid gentle hills and vineyards that stretch to the horizon, Son Xotano stands as a timeless estate that has preserved the purest, most genuine spirit of the island. Dating back to the 12th century, its traditional architecture, golden stone walls, and tranquil gardens still echo the serenity of another era. Here, days unfold at the gentle pace of the Mallorcan countryside, with magnetic sunsets, local flavors, and an atmosphere that invites deep rest. More than a destination, Son Xotano is a place to stay, to reconnect, to return.
ACN Arquitectura
Studio Kukkapuro
Studio Kukkapuro, Kauniainen
[On View]
Opening in 2027
Yrjö Kukkapuro was more inspired by visiting a factory or a company working with new materials than by visiting a museum to see established design.
Ida Kukkapuro, The Kukkapuro Foundation Director
Hotel Château Royal
Hotel Château Royal, Berlin
[Spaces]
With Château Royal, we wanted to create a place that feels like a living cultural salon, where hospitality, art, architecture and the city's creative energy come together naturally. Berlin is constantly evolving, and we envisioned a hotel that could become part of that conversation while remaining warm, personal and timeless.
Stephan and Kirsten Landwehr, Hotel Château Royal Founders
Wilmina Hotel
Wilmina Hotel, Berlin
[Spaces]
Wilmina stands for a revitalized ensemble in a special location. At Kantstrasse 79 in Berlin-Charlottenburg, a former court building and women‘s prison have been transformed, extended and reprogrammed by Grüntuch Ernst Architekten. In a sensitive dialog with history, the architects have succeeded in radically transforming the building into a place of longing with a hotel, restaurant and bar. A gem for a deliberately chosen retreat. In this lively yet contemplative place, guests can escape the hustle and bustle of everyday city life without missing out on interaction and communal togetherness.
Grüntuch Ernst Architekten