



A documentation of the forgotten, some tucked away in the far corners and others hiding in plain sight.
I prefer to find grace in the relics that have been left behind rather than photograph what is painfully obvious.




A documentation of the forgotten, some tucked away in the far corners and others hiding in plain sight.
I prefer to find grace in the relics that have been left behind rather than photograph what is painfully obvious.
I took these photos last year when my wife, Sinéad and I, went to Sicily for our honeymoon. This vacation came after a year of non-stop work. The images reflect our attempt to release all tension and surrender ourselves to these beautiful and calming surroundings.
Credits
Photography and words Ottilie Landmark
www.instagram.com/ottilielandmark
Team
Photography · NADIA RYDER at Serlin Associates
Photo Assistant · BENNY JOHNSON
Fashion · CASSIE WALKER
Make-Up · PHOEBE WALTERS
Hair · TOMI ROPPONGI at Saint Luke using Oribe
Manicure · JULIE BABBAGE at Carol Hayes Management
Set Design · PENNY MILLS at e Wall Group
Set Assistant · WILL YOUNG
Model · OLYMPIA from MILK Managament
Designers
For me, the notion of reinvention is very exciting. It’s about making connections that aren’t immediately obvious, noticing patterns and possibilities, and seeing things in a new light, or through a different lens. It’s not about doing things differently for the sake of doing things differently. That’s novelty. We just have to keep our eyes (and ears) open wide.
Credits
Photography and Words · Shane Terry
https://shaneterry.com/
Team
Photography BRENT CHUA
Fashion JUNGLE LIN
Grooming SHIMU
Model PIERCE BROWN from NEXT
Designers
Over the course of 16 months, Lotte van Raalte photographed 46 women, aged 13 to 94, in their most natural form. The result is the launch of her first photography book, ‘BODY’. BODY is a documentation of the observant photographer’s encounters with these women – a celebration of individuality, life and the beauty found in both vulnerability and strength. An ode to the female body. Lotte van Raalte, photographer, comments:
“With my photography, I’m always on a quest for candid in-between-moments. It takes genuine interest and care to capture people in their most authentic and free way of being. BODY originally started as research towards the female body. Each time I photographed someone, I was left fascinated, curious and inspired at the same time. I think my fascination with the female body comes from different angles: the fact that women are dominantly sexualised and unrealistically portrayed in the fashion, movie and music industry. The fact that the female body is the carrier of new life, and the tremendous impact that has. And, last but not least, the fact that I’m a woman myself.”
The book and exhibition is a strong reflection of Lotte’s stand on body representation and the female gaze in the world of photography. As part of an empowering new wave of awareness, she hopes the images will be seen in the context of current projects challenging previous representations and perceptions surrounding the female body – as a celebration of diversity.
Credits
Photography and words LOTTE VAN RAALTE
www.lottevanraalte.com
www.instagram.com/lottevanraalte
The book will be available for online purchase here: https://lottevanraalte.com/ book
Lotte van Raalte is a constant observer driven by a sincere curiosity and remarkable empathy. It’s with this approach that Lotte achieves her intimate and crisp compositions, firmly encapsulating her unique gaze in her pictures. No matter who is in front of her lens she always captures their individuality – with an infectious feeling of empowerment. Lotte’s work spans from athletes in action for adidas, smiles for Stella McCartney, introducing a new visual style for Arket, to school children in Cape Town. Alive and real. She has an eye for tactility and utilises nature, bringing a tangible and relatable quality to her work. With an ongoing stream of commissioned projects – including her directorial debut for Ace & Tate – Lotte is not one to stand still. With multiple in progress personal projects, an interest in womanhood, sustainability and education rights continues to inform her work. In 2020 she released her first independent photography book and a solo exhibition, BODY, receiving appraisals from the likes of i-D and Wallpaper magazine.
Credits
Photography NADIA RYDER
Fashion NIMA HABIBZADEH and JADE REMOVILLE
Make-Up KUMIKO ANDO Hair KANAE KIKUCHI
Model LEX from Premier
Designers
My main passion is street photography. On what makes this genre what it is, I’ve heard many sides, but to me, the main points are taking candid photos in public places. The essence is that they are not staged and on touching the emotions point to our existence.
Though not every photo in this collection belongs to the street genre, I feel like my relationship with it has influenced every image. They are the result of observation, of interpretation, and rely on impulse to the point where having a camera with me is a permanent practice. Even if I don’t take a photo for days, the greatest lesson street photography has taught me is that the best time behind a camera always comes with I least expect it.
Credits
Photography and words ERIC KOGAN
www.erickogan.com
www.instagram.com/erickogan
I moved a few years ago to the suburbs. Right away, I noticed lots of classic cars in front of houses and in repair shops near my house. I suppose I began to shoot them because I found them so romantic. When I see a classic car, I am reminded of old movies and TV shows. You can see all kinds of possible adventures in these vehicles which I can’t yet imagine in more modern cars.
All my photos I see and shoot while on the street. Right now, during this virus pandemic, I am still walking and shooting cars on my days off from work. Only the most abandoned cars are left now in lots, and I love to imagine the life that they once lived.
Credits
Photography and words BETHEL DUDT
www.betheldudt.com
www.instagram.com/beedotvon
At Summer’s end my wife and I packed up our Brooklyn apartment and drove north. Congested highways gave way to windy, forest-lined roads. We were trading in the bustle of the city for a slower life, upstate. The skyscrapers and swarms of pedestrians that have become such a motif in my photography were being replaced with rivers and waterfalls, barns and abandoned buildings. I wondered how my work might change now that there wasn’t as much action. I was prone to looking for subtle, relatable moments in the midst of madness.
Now there wasn’t madness at all. In quite a welcomed way, there wasn’t much of anything.
It’s a new story to tell.
One that’s vast, quiet.
One that feels like home.