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Theresa Marx

Credits

Photography Theresa Marx
Fashion Lucy Upton Prowse
Hair Abra Kennedy
Make-Up Marie Bruce
Model Simona from Storm Models

Designers

  1. Blouse Jacquemus Trousers TOGA Pulla   Shoes Jacquemus
  2. Dress TGCN Skirt Teatum Jones Boots TOGA Archives
  3. Blouse Jacquemus Trousers TOGA Pulla   Shoes Jacquemus
  4. Dress Roberts|Wood
  5. Dress Roberts|Wood   Boots TOGA Archives Jacket TOGA Pulla
  6. Jacket Angel Chen Dress Rokit Vintage   Trainers Filling Pieces
  7. Skirt (worn as a dress) Grand Bassin   Gloves Monika Bereza Trainers Filling Pieces
  8. Dress TGCN Skirt Teatum Jones Boots TOGA Archives
  9. Jacket TOGA Pulla Shirt Wood Wood   Boots TOGA Archives

Rachelle Mendez

Displaying swaths of the urban landscape as unoccupied while revealing layer upon layer of seemingly blank architectural elements, is ultimately what I aim to execute in the composition of my photography.

Spatial distancing creates leading lines with maximal scale. Suggesting a confrontational viewing experience I choose to frame the composition with elements bleeding off the edges; a nod to the confrontation we navigate through in our environments every day.

When I’m out shooting these urban landscapes in Southern California, I’m looking for bold colors and a dramatic blank surface, but the interest comes in the layering of those elements and how space or lack of space can create an organized, almost painterly, chaotic abstract.

Through bold composition that runs from edge to edge, these photographs are my attempt to push something into nothing and still be whole. The question remains, how far can it be pushed?

Credits

Photography and words RACHELLE MENDEZ
www.photoinspo.com
www.instagram.com/rachelle.mendez

Isabelle Young

Northern Italy

I am always making up for lost time in Italy. I grew up Italian but have never lived there. 

My family are from Turin with their roots extending across Northern Italy and to England, where my Nonna  rst moved in 1948. Everything always feels so urgent when I am back. I see too much to take in and capture. Architecture plays the lead, and I am drawn to its towns and cities, focusing on fragments. Classical details; modernity; industrial Italy and upright stones.

What draws me to certain Italian cities is the fact that I can still see and photograph the country my family’s generation grew up around because, in a large part, it still exists. 

The upheaval surrounding the Italian landscape and Italian society between the seventies and eighties is one I perceive as still visible, and have actively investigated in my own work within a contemporary context.

Credits

Photography and words · ISABELLE YOUNG
isabelle-young.com
instagram.com/isabellelyoung

David Vail

when I was a kid, I was being dragged around a garden-centre type 

shop by my mum, from what I can remember, I was doing her head

in something horrible, so to distract me she told me she was going 

to buy me some seeds to grow my own plant when we got home 

the patch I chose to plant was right beside the garage at the back

of the garden, perfectly viewable from the kitchen window

my well renouned patience did not set me up in good stead 

for the coming weeks 

slowly but surely the seeds gave life to a sunflower, luckily it was 

the start of summer so – even though Ireland isn’t synonymous 

with beaming sunlight, I figured it would have a chance in this patch

by midsummer my sunflower had become somewhat of an 

attraction to the neighbours in the street, as it now stood at least 6 feet 

high, boasted a thick, strong stalk supported by a piece of bamboo

the summer inevitably came to an end, and the plant withered

but the memory of this flower has lived so strongly in my subconscious, 

veritably popping into the forefront of my mind from time to time 

i often ponder why the image of the sunflower has left such a lasting memory 

why I have chosen to preserve this over others 

i have always found myself distracted by the passing world, which would 

get me in trouble in school for daydreaming – but I couldn’t help but wonder 

where my daydreams would take me, what else would I see that would have the 

lasting effect of the sunflower 

Credits

Photography and words DAVID VAIL
Inspiration and collaboration BENEDIKTE KLUVER
Models ABI FOX, TONG
www.davidvail.co.uk
www.benediktekluver.com

Clemente Vergara

Arcosanti

An aperture into architect Paolo Soleri’s City of Future, an urban laboratory

ARIZONA, UNITED STATES—I arrived to Arcosanti late on an afternoon, after driving many hours from Monument Valley through Sedona. I was really looking forward to visit Arcosanti, but having seen the wonders of those natural reserves, canyons and spectacular landscapes, I believed Arcosanti would not impress me… and I was wrong… I didn’t know much about Paolo Soleri’s project. I just knew it was an unfinished experimental city created during the 70s designed to be self-sufficient, and that we were going to sleep in The Sky Suite, the room with the best views you could rent in Arcosanti.

Once there, I was amazed by the project, the buildings, the people living, working and studying there. Also I got interested about the Architect (Paolo Soleri’s) work. I was lucky that in the room there was a huge book that gathered his drawings and ideas about futuristic cities. I also learned that the name of Arcosanti came from two italian words “Cosa” and “Anti”, that literally means, “before things”. I learnt also about the concept of Arcology, which comes from putting together Architecture and Ecology, and the importance of that concept in the current society of “take make dispose” that is ruining our planet. 

I will always remember the days I spent in such a special city, that keeps alive Paolo Soleri’s ideas.

Credits

Photography and words CLEMENTE VERGARA
www.clementevb.com
www.instagram.com/clementevb
www.arcosanti.org

Yoshiyuki Yatsuda

It’s Harder Not to Change Than to Change

Yoshiyuki Yatsuda is a graphic designer and photographer based in Tokyo.  He is focused on something that attracts him such as “a place left from the times” and “an unrealistic landscape of the real world”.

Credits

Photography and words YOSHIYUKI YATSUDA
www.instagram.com/yoshiyukiyatsuda

Nadia Ryder

Atikah Karim

Team

Photography Nadia Ryder
Fashion and Creative Direction Nima Habibzadeh and Jade Removille
Make-up and Hair Seunghee Yoo
Model Atikah Karim from M+P Models


Designers

  1. Dress Sies Marjan
  2. Shirt Preen by Thornton Bregazzi
  3. Shirt Preen by Thornton Bregazzi   Trousers COS Shoes Lanvin
  4. Bag and Shoes Lanvin Trousers Filippa K
  5. Shirt, Coat and Trousers Boss Shoes Lanvin
  6. Dress and Shoes Red Valentino
  7. Dress Sies Marjan
  8. Shirt Preen by Thornton Bregazzi   Trousers COS Shoes Lanvin
  9. Shirt Preen by Thornton Bregazzi   Trousers COS Shoes Lanvin
  10. Blouse Lanvin
  11. Shirt and Coat Boss
  12. Top Roberts|Wood Underwear Model’s Own
  13. Dress and Shoes Red Valentino

Tiffany Nicholson

Antioquia, Choco

COLUMBIA — The photographic series Antioquia, Choco documents my four-month trip in Colombia. During this trip, I mostly stayed in these two different places and some of the images were shot during the lockdown in a natural reserve near the Panama border. I am used to travelling slowly and it takes me a lot of time to get in the mood for photographing. I really need to connect with the environment before taking out my camera.

The experience was a huge immersion inside wild nature and rurality. Likewise, the images depict an abounding and generous greenery, while illustrating an elementary way-of-life. Between panoramic landscapes and infinite views, some closer shots reveal natural small details. I experiment visual interaction between elements and textures: palm trees scratching the sunny sky, an old tree trunk drilling the calm river surface, water drops dancing on a leaf in a muggy heat…

Besides those unplanned images of nourishing earth, I also composed still lives which decelerate the rhythm of the series and offer a calm interlude. These shots associate raw materials and craft tools with delicate fruits, enhancing their shapes’ beauty and soft tints. I hope the images reflect the intimate connection I had with the subjects and the area, and that it gives a feeling of appeasement and some kind of resourcing loneliness. 

Ana Lantes

Team

Photography · Ana Lantes
Fashion · Mireia Puigga
Make up · Lourdes Subira
Model · Nica Mestres at View Management


Designers

  1. Raincoat BELLEDEJOUR studio Dress MALAHEIRBA Underwear ANDRES SARDA
  2. Dress ALADOMARTINS Gloves BELLEDEJOUR studio Jewellery PEEDRUSCO
  3. Shirt NATALIA RIVERA
  4. T-Shirt BALENCIAGA Transparent Top LYE LYSIANNE Shoes CAMPER
  5. Full Look LOEWE
  6. T-Shirt BALENCIAGA Transparent Top LYE LYSIANNE
  7. Shirt NATALIA RIVERA Underwear ANDRES SARDA Boots CAMPER
  8. Full Look ANDRES SARDA
  9. Dress BALENCIAGA Ring MISUI Tights Stylist’s Own
  10. Raincoat BELLEDEJOUR studio
  11. T-Shirt BALENCIAGA Transparent Top LYE LYSIANNE
  12. T-Shirt BALENCIAGA Transparent Top LYE LYSIANNE

Allyssa Heuze

Team

Photo Allyssa Heuze   
Fashion Ally Macrae
Make-up Agnes Obis
Hair Sachiya Mashita
Models Charles and Tomas from Rockme and Julie from Viva

Designers

  1. Jacket Vintage Yves Saint Laurent and Trousers Vintage Hat Stylist’s Own
  2. Charles is wearing Shirt Vintage Pants Bless Julie is wearing Blazer Vintage Jumper Raf Simons Trousers Bless Tomas is wearing Jumpsuit Bless Hat Stylist’s own
  3. Tomas is wearing Suit Bless Jumper J.W. Anderson  Charles is wearing Jacket Vintage Yves Saint Laurent and Trousers Vintage Julie is wearing Jumper Emmanuelle Khanh Trousers Vintage Prada
  4. Tomas is wearing Blazer Emmanuelle Khanh Shorts Bless Charles is wearing Cardigan Bless Julie is wearing Jacket Vintage Yves Saint Laurent Top Emmanuelle Khanh
  5. Tomas is wearing Jumpsuit Bless Top Raf Simons Charles is wearing Jumper and Trousers Aalto Julie is wearing Blazer Emmanuelle Khanh Jumper Lemaire   Trousers Vintage
  6. Blazer Vintage Jumper Raf Simons Jeans Bless
  7. Charles is weating Shirt Vintage Trousers Bless
  8. Jumpsuit Bless Top Raf Simons

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