In my thirties, I questioned the essence of kindness.

What does the word “kindness” really mean? And how can art, in its various forms, promote kindness in life? These questions have often occupied my thoughts since childhood. 

Throughout my upbringing, my mum always emphasized the importance of kindness as the key to everything. The concept of kindness, as she taught me, extends beyond simple interactions with people and is woven into the fabric of everyday actions. While studying art, I was often criticized for the gentle and delicate nature of my aesthetic, characterized by soft, pastel colors and strokes intentionally devoid of harsh shadows. This aesthetic was a reflection of the emphasis on kindness instilled in me.

Now, as I approach my 30th birthday, I have decided to embark on a research and cataloging project on kindness. To seek answers to these questions, I enlisted the support of different artists. Through their lenses, they captured moments of kindness, illustrating them in various contexts—whether with people, objects, places, or memories. Together, their stories form a cohesive visual narrative of navigating life with kindness at its core.

Toby Coulson

When reflecting on the concept of kindness, I often recall a project I undertook some time ago. It involved documenting the efforts of a man who organised a weekly tea dance for elderly individuals in the community. What struck me most was the profound impact it had on those who attended, many of whom had experienced the loss of their partners and were grappling with feelings of isolation. 

Through this simple yet heartfelt initiative, people were brought together in a space of warmth and companionship, offering solace and connection to those who may have otherwise felt alone.”

Jaime Martínez-Cabrera Huidobro

Kindness is like a dance between two people, where we share moments and understand each other. It grows when people interact and understand each other. It’s like when we get goosebumps, a natural reaction to our surroundings. Kindness works the same way, responding to how we feel together. It shows how we’re all connected.”

Annika Kafcaloudis

Kindness manifests in the simplest of gestures, like rising to prepare a steaming cup of coffee for someone still nestled in bed. It’s the gentle inquiry, “Would you like a cup?” as soon as someone enters your space.

Kindness is sliding a warm mug across your coffee table, offering comfort in its aromatic embrace. It’s the invitation to stroll together, hand in hand, to the local cafe for a shared moment of caffeine-infused camaraderie. Indeed, coffee serves as a conduit for these acts of benevolence and consideration, weaving a tapestry of warmth and connection in our daily lives.

Adam Friedlander

The focal point of the image is a strikingly pristine fork, adorned with a delicate red thread gently looping through its tines. This juxtaposition presents the fork as both an object of allure and anticipation, poised for use yet untouched. The imagery evokes the act of sharing a meal, a timeless gesture of generosity and kindness, while the thread symbolises the myriad reasons that may prompt our hypothetical guests to gather around the metaphorical table.

The scale of the fork and the absence of human touch imbue the scene with a sense of longing, prompting viewers to envision themselves reaching for the utensil and leaving their mark upon it. This image is the result of a collaborative effort between myself and Selena Liu, an artist, designer, and prop stylist. Despite forging a friendship early in our respective careers, it wasn’t until years later that we embarked on our first joint project together.”

Kurt Bauer

Kindness is not just an act but the sincerity that lies behind this, the authenticity of the intention that speaks to my own authenticity, there’s something expansive about being and receiving kindness. A smile, a genuine “How are you?”, sharing something of yourself – there’s a generosity that expresses itself in big and small ways. 

For me, nature is ultimately kind as it provides enough space to live our lives and be touched by its beauty; there’s connection in kindness, a feeling of not being alone, and that we belong to something bigger.

I may not remember all the ways I’ve received kindness, but I know each one has an affect that is both known and unknown.

Nicolò Panzeri

In early 2023, I made a deliberate choice to capture the essence of this church—a remarkable creation by Alvar Aalto—as my own visual representation of kindness and ethereal elegance.”

Garrett Naccarato

“Kindness in my photography goes beyond capturing a beautiful image; it’s about the empathy, consent and respect I show towards my subjects and their space. Respecting the autonomy of my subject means seeking their permission before
taking their photograph, especially in intimate or vulnerable moments. It’s about acknowledging their space and allowing them to be comfortable in how they are represented. Kindness also involves empathy towards the people we photograph.
Whether it’s a portrait of a stranger on the street or in a studio, taking the time to understand the context and emotions behind the image can result in more meaningful and respectful portrayals. extends to the physical space in which the image is captured.

Isaac Calpe

“For a person to be kind, they must first know themselves very well, know their good and bad things, what they can do well and what they cannot, and improve in their daily lives.
That person who surpasses himself every day is the one who will treat others equally and show the most kindness.

Menno Aden

In order of appearance

  1. Menno Aden, Untitled (Classroom), 2010
  2. Menno Aden, Untitled (Car), 2008
  3. Menno Aden, Untitled (Car III), 2018
  4. Menno Aden, Untitled, 2008
  5. Menno Aden, Untitled, 2010
  6. Menno Aden, Untitled (Box I), 2011
  7. Menno Aden, Untitled (Box VI), 2011
  8. Menno Aden, Untitled (Basement III), 2011
  9. Menno Aden, Untitled (Basement V), 2011
  10. Menno Aden, Untitled (Lift-III), 2011
  11. Menno Aden, Untitled (Lift V), 2017

Credits

All artworks courtesy of Menno Aden

Menno Aden (b. 1972) studied Art and Composition at Bremen University and University of the Arts Bremen in 2000. Aden lives and works in Berlin. 

Exhibitions include Museu Serralves, Deutsches Architektur Museum, Landesmuseum Emden, Kunsthaus Potsdam, The Wandsworth Museum, London, CMU Museum, Chiang Mai, Thailand, Dezer Schauhalle, Miami, Ratchadamnoen Contemporary Art Center, Bangkok, Institut Francais, Yangon, Myanmar, among others. 

Aden was awarded the German Prize for Science Photography, The International Photography Awards, The Accademia Apulia UK Photography Award, The European Award of Architectural Photography, among others. 

His work has been featured in The Guardian, Le Monde Diplomatique, Philosophie Magazine France, Der Tagesspiegel, Washington Post, Financial Times Internazionale, Dezeen, Nowness, Ignant, Deutsche Welle TV, among others. 

His work has been published in several books e.g. Berlin Raum Radar – New Architekture Photography (Hatje Cantz, 2016), European Month of Photography (Catalogue, 2016), Khao Ta Looh (KMITL Fine Art, Bangkok 2018), among others. 

Aden is represented in private collections in USA, Europe, and Asia, including Novartis Collection Basel, KPMG Collection London, Sanovis Collection Munich, Lisser Art Museum, among other national and international private collections. 


Jalal Sepehr

Credits

All images courtesy of Jalal Sepehr from the Knot (2011) and Water & Persian Rugs (2004) series.

Jalal Sepehr (b. 1968) is a Tehran based self-taught  photographer who has been doing photography since 1994. He is known as a fine art photographer locally and internationally. His photos has been featured in many prestigious publications. He has been founding member of  the Fanoos website whose aim was promoting contemporary Iranian photography (2003-2007). He is an active member of Virtual Arts of Iran Association and Advertising & Industrial Photography Association of Iran.


Luna Lopez

Through staged photography, Luna Lopez works with the emotional, the psychological and the erotic. Lopez infuses her photographs with contradictory elements, which makes her work both unsettling and arousing at the same time. She explores the dynamics of intimacy and violence, the calm and aggressive, as well as the strength that exists within the vulnerable and uncomfortable. Lopez stages and constructs photographs that don’t provide any fixed reading, but only hints about what’s beneath the seemingly obvious.

The underlying erotism that recurs in her pictures, manifests itself in what is not shown. Lopez interest in human connection is not only apparent in how she presents her work to the viewer, but also in how she identifies the nuances in a face expression or the gesture of the body when photographing.

Whether it’s a feeling of emptiness or a spirit of connection, Lopez captures these moments for her viewer to play part in. With the artisanal skill of darkroom printing and an acute eye for shape, texture and color, she has managed to create her own visual atmosphere, one imbued with a highly-attuned sense of tension and composition.

In order of appearance

  1. Untitled (Arched Woman)
  2. The Practitioner
  3. Attachment and Separation
  4. Brush of Censorship
  5. Metallic Object I
  6. The Spot (Eternity)

All images courtesy of Luna Lopez

Luna Lopez (b. 1996) is a Danish-born artist, currently living in Gothenburg, Sweden. Lopez completed her BFA in photography at the University of Gothenburg in 2021 and graduated from Fatamorgana, the Danish School of Art Photography in 2015.
Her work has been shown at Oblong, Copenhagen (2023), Oslo Negativ with MELK gallery, Oslo (2023), Göteborgs Konsthall, Gothenburg (2023), Galleri Thomassen, Gothenburg (2023), Galleri Cora Hillebrand, Gothenburg (2022), MELK gallery, Oslo (2022), Gallery Steinsland Berliner, Stockholm (2022), Röda Sten Konsthall, Gothenburg (2021), The Print Space, London (2019) and Copenhagen Photo Festival, (2018).


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