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Lefay Resort & Spa Lake Garda

Rethinking Wellness Hospitality

At Lefay Resort & SPA Lago di Garda, wellbeing extends beyond the treatment room, taking shape through a deeper relationship with oneself, the surrounding landscape and the rituals of everyday life. Founded on the belief that true luxury lies in the quality of this experience, Lefay brings together the principles of Classical Chinese Medicine and Western scientific research with an immersive connection to nature and a considered approach to nourishment.

To explore the philosophy behind the resort, NR spoke with Monica Mescoli, Spa Manager at Lefay Resort & SPA Lago di Garda, about the Lefay SPA Method and its understanding of individual wellbeing, and Michelin-starred Executive Chef Matteo Maenza, whose work at fine-dining restaurant Gramen translates the Lefay Vital Gourmet philosophy into a cuisine rooted in seasonality, creativity and respect for ingredients. Their perspectives reveal an approach to hospitality in which wellbeing is not a prescribed formula, but a personal experience shaped by the interplay of science, nature, space and the pleasure of living well.

Lefay was founded on the idea of redefining luxury through a deeper understanding of wellbeing. After almost two decades of developing that philosophy, has your understanding of what it means to truly feel well evolved? And, looking at the guest experience today, what do you feel Lefay offers that goes beyond the traditional notion of a wellness retreat?

Our understanding of what it means to truly feel well has certainly evolved, and it must continue to evolve. Our idea of wellbeing always reflects the evolution of everyday life: the more life pushes us in a repetitive, almost alienating direction, the more the concept of wellbeing will point the opposite way. Lefay offers programmes designed to guide guests towards defined goals, but it does so while allowing those goals to be reached in perfect harmony with the rhythm of a holiday, recognising that wellbeing must never become a paradox in which the very pursuit of it turns into a source of stress. Instead, wellbeing should find its place in the small things of everyday life. Living the simplicity of life, together with contact with nature and being at peace with ourselves, is the gateway to truly feeling well.

The Lefay SPA Method brings together the principles of Classical Chinese Medicine with Western scientific research. From your experience of working within the Lefay SPA Method over many years, what have you learned about the relationship between these two different systems of knowledge? And what do you think this dialogue can offer that neither approach could necessarily achieve on its own?

Bringing together East and West inevitably leads to a sense of balance born of opposites. Classical Chinese Medicine teaches us about the depths of the human soul and, above all, about the root cause of a disorder, which is very often emotional. Western scientific research contributes to the treatment of symptoms and to more immediate solutions that support our wellbeing. Both approaches serve wellbeing, but each addresses only one aspect of it. For a truly complete approach, bringing these parts together leads to a deeper awareness of one’s own psychophysical wellbeing, activating the mental strength to move in the direction that is best for oneself.

Wellness can often be reduced to a series of treatments or services, whereas Lefay seems to approach it as a process of greater self-awareness. What do you think people are really looking for when they arrive at Lefay, and what can a wellness experience offer when it begins not with a prescribed solution, but with an understanding of where each individual is in their own life and wellbeing journey?

For Lefay, the approach to wellness is shaped by a whole range of factors. It is not just the treatment, nor just a whirlpool bath: it is the world in which one becomes immersed. The generous spaces, the views of nature that almost seem to flow within us, the materials, the colours, the sounds and the care of our team all allow guests to feel completely at peace, free to let their guard down. Letting go and feeling at ease opens us up to a process of “healing”, including healing from stress itself, and allows us to accompany each guest, hand in hand, towards a personalised experience of what is right for them at that precise moment.

The landscape of Lake Garda is such an integral part of the experience at Lefay. Beyond its obvious beauty, how does the landscape actively shape the way you think about wellbeing? Is there something about this particular environment, its light, vegetation, climate, relationship with water and sense of space, that has influenced the philosophy of the resort itself?

“The ability to see things from above”: this is what a Lefay experience at Lake Garda offers. The landscape, the nature and the sweeping views allow our minds not to fixate on single points, which narrows our thinking and makes us dwell too much on detail. Instead, they allow us to range freely, to rise above things, to put life’s events into perspective and to discover the infinite possibilities that life can offer.

From its beginnings, Lefay has approached architecture as something that should exist in dialogue with its surroundings rather than apart from them. At Lago di Garda, the resort was deliberately integrated into the hillside, drawing on the language of the traditional lemon houses of the Upper Garda and allowing the “building system” to interact with the “nature system”. Do you believe this way of designing a place, where the boundaries between architecture, landscape and indoor and outdoor life become less defined, can itself contribute to a deeper sense of health and wellbeing? And, looking back at the original vision for the resort, how do you feel this relationship continues to shape the way guests experience Lefay today?

We need to feel part of nature. It is where we come from, and it is the only place where we can find peace and understand the rhythm of nature, which is the rhythm of life itself. Designing a place in perfect balance with its surroundings respects both people and the environment. From this respect comes the first true condition of wellbeing.

Gramen is described as the ultimate expression of the Lefay Vital Gourmet culinary concept, bringing together ethics, respect and balance. How have these principles shaped your approach to the restaurant and to the idea of food as part of Lefay’s wider philosophy of wellbeing? In creating cuisine that is nourishing and rooted in the Mediterranean tradition, how do you reconcile health and sustainability with the pleasure, creativity and emotion that are essential to the experience of dining? And how do the landscape of Lake Garda and ingredients produced by Lefay itself, particularly its extra virgin olive oils, inform the identity of Gramen and your relationship with the territory?

My approach to plant-based cuisine is not the result of a contemporary trend. It has always been an intrinsic part of my culinary identity.

I come from Puglia, in southern Italy, where the connection with the sea, seasonality and the extraordinary richness of vegetables is deeply rooted in our gastronomic culture. I grew up with a tradition in which fish and vegetables played a central role, and I have carried this philosophy throughout my professional journey.

Long before plant-based cuisine became so widely appreciated, our menus already featured entirely vegetable-based and vegetarian dishes, conceived not as alternatives, but as gastronomic creations in their own right, with the ingredient itself as the true protagonist.

Gramen represents the natural evolution of this vision.

When I create a dish, my first objective is always pleasure through flavour. I believe the plant world offers extraordinary gastronomic possibilities. Through technique, creativity and a deep understanding of ingredients, we can achieve complexity, intensity and depth of flavour without relying on meat.

For me, wellbeing should never mean sacrificing pleasure. Rather than starting from nutritional restrictions, I begin with a gastronomic idea and the search for the best possible expression of an ingredient. Balance and lightness then become part of the experience, supported by a cuisine centred on vegetables and fish, with limited use of dairy products.

Seasonality is fundamental to my creative process. Each dish begins with an idea inspired by the season, and I then seek out the ingredients that best express it, giving priority to local producers whenever possible.

Lake Garda, with its distinctive microclimate, vegetation and agricultural traditions, provides a rich source of inspiration.

The extra virgin olive oils produced by Lefay are particularly important to our culinary identity. I don’t see olive oil simply as a finishing touch, but as an ingredient that becomes part of a dish from the beginning. Its aromatic character, bitterness and vegetal notes must interact with the other elements, contributing to the overall balance rather than overpowering the main ingredient.

Ultimately, my ambition at Gramen is to create a cuisine where ethics, sustainability and wellbeing coexist naturally with creativity, technique and emotion. A cuisine that respects its ingredients and its environment, but above all, one that gives genuine pleasure to those who experience it.

Lefay has spent almost two decades developing its own interpretation of wellbeing, while the wider conversation around health, longevity and wellness is changing rapidly. Having established such a distinctive philosophy, what do you think Lefay still has to discover? And when you imagine the next ten years, what do you hope the future of holistic hospitality will look and feel like?

Lefay simply needs to continue nurturing its great sensitivity in understanding human beings in depth: studying them, understanding what is happening around us and what truly makes us happy, or better still, what allows us to be moved. I am convinced that it can only remain at the heart of its founding concepts, which were far-sighted and pure in their essence. Over the next ten years, we may see wellness working closely alongside technology, with cutting-edge equipment and intensive therapies focused on prevention, together with ever deeper immersion in nature and in our connection with ourselves. As it moves forward, I believe Lefay will need to take care of the art of pausing.

All images courtesy of Lefay Resorts.
Discover more on lagodigarda.lefayresorts.com

Palazzo Tafuri

© Carissa Díaz Alemán for NR Magazine

Poetics of Spatial Experience 

Bachelard once wrote that a room is a living organism, its walls the skeleton of imagination. Architecture, in this sense, is a structure of perception. A hotel, rigorously conceived, is an orchestration of presence, movement, and attention. To inhabit it is to enter another register of consciousness.

Palazzo Tafuri in Nardò is a record of adaptation, a layering accumulated over centuries, an archive of necessity and invention.

When Vincent De Cat  and Claudio Colaci first encountered the palazzo, its scale was imposing and its presence commanding. “As soon as we laid eyes on the palazzo, its potential became clear. The palazzo began to reveal its character. You feel small in a space like this, yet also enchanted. The palazzo demands patience, attention, and respect — it speaks, if you’re willing to listen.

The nineteenth-century construction unified several pre-existing buildings, forming a complex spatial organism. Floors, staircases, and courtyards still bear traces of prior inhabitation. “The building revealed a kind of urban poetics,” Colaci notes. “Each part had its own energy. Some areas were a disaster, with new materials clashing with the historic fabric, but its narrative guided us. It taught us where to honor history and where to introduce modern interventions.”

The restoration was charged by Count & Countess Antoine and Ghislaine d’Espous, unconditional lovers of Italy. Their desire to create a place of hospitality set the project in motion, yet it was conceived as a carte blanche—offering architect Claudio Colaci and project lead and interior designer Vincent De Cat  remarkable latitude in shaping the palazzo’s transformation while honoring its layered memory. Colaci and De Cat  engaged with the Tafuri sisters, whose ancestors had carried out transformative works in the late 1800s and evoked as well the long-standing presence of the Zimara family. The subsequent Mera ownership, spanning from the 1970s to the early 2000s, was acknowledged as part of the palazzo’s more recent history. This layered approach informed interventions across the noble floor, the ground level, and the stables, where the equestrian past was carefully retained: the original stable names were preserved and integrated into communal spaces, extending the palazzo’s narrative into the present.

A collapsed roof revealed arches on the second floor, prompting a more open arrangement for suites, while the largely intact first floor became the measure of fidelity. “The fallen wooden roof revealed beautiful arches,” De Cat  recalls. “They allowed us to imagine lofty, modern suites while respecting the historic floor. The dialogue between past and present became the core of our approach.”

The principle was selective adaptation. Preserved elements were restored; altered areas treated with restraint. Original openings were reopened, and new apertures introduced only where proportional logic allowed. Technical systems, including mechanical infrastructure and elevators were concealed, absorbed into the structure. The design team sought to avoid the hallmarks of a hotel; “Spaces should not feel staged or transient. Instead, the spatial experience should reveal the soul within.”

Restoration demanded close collaboration with local craftsmen, many still working with traditional techniques. “At times it felt impossible. The building required solutions that were both structural and narrative. Techniques preserved memory while ensuring stability. With the craftsmen, we maintained the old walls, mimicked their original plaster, and gave continuity to the story.”

At the center of the palazzo, the courtyard orchestrates circulation. Daylight enters from above, shaping hierarchy and rhythm. “Opening the ground floor was transformative,” Colaci explains. “Previously closed off by stables and service areas, it now communicates, invites guests and becomes the center of gravity. You inhabit the present but sense the palazzo’s accumulated recollections beneath the feet.”

Olive trees, climbing vines, and regional herbs connect to Salento’s cultural and domestic past. Some species were selected for their resonance with plants once cultivated by the Tafuri family. A trace of accumulated recollections embed the rhythms of past inhabitation into the present.

The pool follows this logic. “We didn’t want the pool to feel like a new imposition. The idea was to rediscover hidden infrastructures and adapt them so that contemporary comfort remains part of the building’s narrative continuity.” The pool reactivates historic infrastructure, integrating modern use with its original technical function.

Inside, the palazzo engages as a living presence, allowing materials, light, and proportions to shape experience. Plaster walls, stone floors, and wood surfaces were restored, layers of lime plaster applied using historic techniques. Surfaces remain porous, textured, and responsive to light, with a neutrality of modern finishes. Oak, walnut, and linen recall the humility of Mediterranean. Bespoke elements crafted by local artisans amplify the ethos. Chromatic choices derive from traces uncovered during restoration: muted ochres, pale stone, and grey-green washes, anchoring the present to a palette inscribed in the building’s essence.

The interior exudes rare serenity, a subtle emotional cadence. Spaces feel simultaneously intimate and expansive; quiet corners invite reflection, while double-height rooms convey presence and scale. Here, the palazzo’s soul becomes palpable—a delicate intensity.

“Guests should feel comfortable, as if inhabiting a home,” De Cat  observes. “The atmosphere is calm and natural, connected to the place’s character. We wanted warmth in dialogue with the elegance of the past owners.”

Even the bathrooms. Generous proportions echo elongated service spaces of earlier centuries. These volumes, often overlooked in hospitality design, extend the building’s narrative into the contemporary.

Lighting and signage follow the same principle. Illumination reveals texture and produces varying atmospheres across day and night. Signage was applied with a tattoo-like technique, respecting the building’s patina.

The result is understated. “Reading guest reviews, people often remark on authenticity,” De Cat  observes. “Understated elegance. A living structure.”

Transformative, the project shaped the team profoundly. “It taught us lessons no formal training could offer. Integrating the building’s demands with client needs and contemporary function was intense, but the result endures, a dialogue between history and inhabitation.”

Palazzo Tafuri is both residence and record: a structure of memory and imagination that continues to evolve through use. Its intelligence lies in precision, proportion, and light.

Tafuri endures as a space of narrative density. Its poetics in sentiment, and how movement as well as the measured silence orchestrate an experience simultaneously contemporary and historical. neither preservation nor novelty, but the capacity to choreograph memory. Architecture’s most lasting effect.

Photography · Carissa Díaz Alemán commissioned by NR Magazine.
Architect · Claudio Colaci
Project Lead and Interior Designer · Vincent De Cat commissioned by the owners Count & Countess Antoine and Ghislaine d’Espous.
Hotel Director · Athanase de Joussineau
Find out more on palazzotafuri.com

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